A collective soundwork partly in homage to Yves Klein’s Symphonie Monoton-Silence (1949-1961) to accompany Collective Monochrome No 26 (initiated by Billy Gruner and Sarah Keighery). Artists were asked to submit a sustained tone of the note E of any duration. The sound could be processed in any way and was not required to be a pure tone.
The piece was made for Cementa13 at Kandos, NSW, Australia and accompanied Grunner and Keighery's Collective Monochrome No. 26.
The sounds were arranged and mixed by aleatory procedures, and a recording was made of 1 hour, 44minutes and 33 seconds. This is an edited version.